[MACARTHY, (?)] A penny-plain portrait, Miss Macarthy as Nourmahal in the Demon of the Ganges. [London]: Dyer & Co., [c. 1834]. Very minor dusting; else very good. $65
The actress is shown in highly decorative costume and veiled tiara before an Eastern setting. She holds a dagger out from her right side. Almars melodrama was first performed at Sadlers Wells in October 1834. An unusual juvenile drama portrait, not in the Harvard catalogue and a late date for a Dyer imprint.
[MACREADY, William Charles.] A Covent Garden playbill for Macready in the name role of Mortons Henri Quarte, 8 May, 1820. Minor dusting. $25
[MACREADY, Williams Charles.] A Covent Garden playbill for Macready in the name role of Mortons Henri Quatre, 5 May, 1821. Three horizontal creases; original (small) posting hole near center. $25
The cast also included Liston and Kemble.
[MACREADY, William Charles.] A Covent Garden playbill for Macready in the name role of King Henry the Fourth -- Part the Second, 25 July, 1821. A bit of creasing and foxing to side margins. $30
[MACREADY, William Charles.] A Covent Garden playbill announcing Macready in the name role of Shiels Montoni, 5 May, 1820. Small, original posting hole near head; very good. $25
Also on the bill was Pococks The Antiquary with Liston.
[MACREADY, William Charles.] A Covent Garden playbill announcing
Macready in Beazley's The Steward,
7 October, 1819. A bit of offsetting. $35
The second piece on the bill was Reynolds' The Gnome King.
[MACREADY, William Charles.] A group of four issues of The Theatrical Observer, including bills for Macready at Drury Lane, October and November, 1833. 8vo; disbound; some removal wear to gutters. $30
Ths roles are Macbeth, Marc Antony, Werner, and William Tell.
[MAGNIER, Marie.] A lithographed portrait of Magnier as
Clara de Fermanville in Les Respectables, by Steinlen, . 8 3/4" x 12"; colored by
A lithograph by Theophile-Alexandre Steinlen from Costumes of the Modern Stage. It shows Magnier full length, standing in costume, with a parasol in one hand and a book in the other. Janvier de la Mote's drama opened at the Theatre de Vaudeville (Paris) in November 1889.
THE LOVING ENEMIES: A Comedy.... London: for John Guy, 1680. First Edition. Small 4to; quarter speckled calf; marbled boards; joints worn; head of backstrip chipped; title-page dust soiled and reinforced at gutter and lower fore-corner; terminal leaf defective at upper gutter, affecting text (provided in holograph), with tissue reinforcement and repair; minimal marks of age to contents. $225
The sole edition of a particularly rare Restoration comedy, performed at Dorset Garden in the early spring of 1680. This was also Maidwells only play. An exceedingly well-written and interesting play, both as regards the romantic incidents and the lighter scenes. One can only be surprised that it did not keep the stage, more particularly as many a worse comedy long maintained a place in the theatre. It is not improbable this disregard was the reason Maidwell did not make another essay in the drama (Summers). The epilogue was written by Shadwell and refers to Drydens Rose Street adventure of the previous December. §Wing M284.
[MANNERING, Mary.] MARY MANNERING AS JANICE MEREDITH. New York: R. H. Russell, 1900. 4to; decorative embossed stiff gray wraps; some wear to backstrip; contents printed to heavy stock; stitching pulled and contents loose within covers; illustrated; internally quite clean and bright. $25
A pictorial souvenir of Mannering in this drama based on the romantic historical novel of the American Revolutionary period. With 18 portraits, most full page. This production by Frank McKee was Mannerings debut as a star.
[MARCHAND, Floran.] A lithographed portrait, Floram Marchand, The Water Spouter, [c. 1850]. 5 1/4 x 7 7/8; laid down. $22
A full-length portrait of the 17th-century conjuror, standing, shown in mid-act as he spews forth wine into three goblets. In his right hand he holds up a goblet from which he has just taken water.
[MARIÉ, Paola.] A complete issue of Le Trombinoscope devoted to Marié. [Paris: F. Debons, 1874.] 4to; engraved decorative-banner title and portraits to front; three stitching holes to left margin; light foxing and dusting (primarily to margins). $45
[MARIO, Giovanni.] A one-page autograph letter, signed. N. p.: 17 January, 1864. 4to leaf, folded; integral leaf blank; original folds. $275
A warm (salutation of Caro) and fine letter in French, with a very good signature.
[MARIVAUX, Pierre C. de.] LA DOUBLE INCONSTANCE. Comedie. Paris: Briasson, 1730. 16mo; disbound; rubbing to title-page, obscuring a few letters; light dust soiling to title-page and terminal leaf; a hint of foxing. $35
[MARLOWE, Julia.] A cabinet photograph of Marlowe in the name role of Carletons Colinette. Providence: Ye Rosa, . Some light soiling; rubbing and creasing to mount; inscribed, signed, and dated at foot (lighter over photograph). $85
[MARS, Mlle.] [Anne F. BOUTET]. A one-page autograph letter, signed. N. p.: n. d. [c. 1825(?)]. 8vo leaf, folded; original folds; hole from opening of wax seal, affecting two letters of text, with early backing to blank reverse. $85
The well-loved Comédie-Française actress writes to a Monsieur Empir asking payment of a sum due to her que jen ai grand besoin.
[MARS, Anne F. Boutet.]
A third-person autograph letter. N. p., n. d. [c. 1835]. 8vo leaf, folded; original folds; slight dusting to integral blank; (blank) central fold tipped to a later tab of paper. $60
The well-loved Comédie-Française actress writes to a Monsieur Pinkerton, inviting him to dine.
[MARS, Anne Françoise.] A lithographed portrait, "Melle. Mars, Premier Théâtre Français." [Paris]: Demanne, [c. 1830]. 5 1/2" x 9", plus wide margins. $25
A half-length portrait of the actress, facing and looking to the front with arms crossed at her waist, within an oval.
MARSOLLIER, [Des Vivetières, B. -J.] EDMOND ET CAROLINE, ou La Lettre et la Réponse, Comedie.... Paris: M. -N. Barba, 1819. Disbound; foxing to title-page, terminal leaf, and head of some leaves. $35
The libretto to a one-act comic opera, the music by Frédéric Kreubé, first performed at the Opéra-Comique in August 1819. The cast list is printed.
[MARSTON, Henry.] A juvenile drama portrait of Marston as Fitzjames. London: A. Park, [c. 1845 (?)]. Some wrinkling and surface soiling. $25
MARTAINVILLE, [Alphonse L. D.]. TACONNET, Comédie... Mêlée de Couplets.... Paris: Barba, 1811. First Edition. Disbound; scattered light foxing. $20
A comedy based on episodes in the life of Toussaint Taconnet (1730-1774) the playwright and librettist. It premiered at the Theatre de la Gaîte in September 1811.
MARTIN, Sadie. THE LIFE AND PROFESSIONAL CAREER OF EMMA ABBOT. Minneapolis: L. Kimball, 1891. First Edition. Original red cloth, decorated in black and gilt; gilt to spine; extremities rubbed; frontisportrait and 27 plates to text after photographs; decorative endpapers; t.e.g. $50
[MARTYR, Margaret.] A line-engraved portrait, Miss Thornton, at Vauxhall. London: J. Bew, 1778. 3 1/8 x 4 1/2; window mounted to a larger album leaf. $40
A full-length portrait of Martyr, when Miss Thornton, in an open gown, to the front singing, music held down in her right hand. From the time of her appearances at Vauxhall just prior to her first season at Covent Garden.
[MASSÉ, Victor.] An engraved portrait of Massé, [c. 1860]. 3 1/2 x 5 to a larger leaf. One point of foxing to (blank) upper left corner. $15
[MATHER, Margaret.] A photogravure of Mather as Juliana in The Honeymoon. [New York]: Gebbie, 1887. 7 1/2" x 12", plus wide margins; minor dusting to outermost margins; image near fine. $10
An etched (with aquatint) caricature, Mathew-orama for 1827 - or Cockney Gleanings, after T. H. Jones. London: George Humphry, 1827. 15 x 10 3/4; trimmed to platemark; colored by hand; a hint of toning; one gentle (nearly vertical) crease, with short, closed tear at head; the tear touches the title and carries an early reinforcement to verso; image very good. $225
Mathews is depicted in 16 different roles in this entertainment; each is accompanied by a short bit of dialogue (at the foot). Amongst these are Dickey Gossip, Professor Mac-Siller-Grip, Lawyer Muzzle, and the Connoisseur. In the gallery hang, above their heads, paintings of contemporary actors.
[MATTHEWS, John T.] A juvenile drama portrait of Matthews as Clown.
[London]: A. Park, [c. 1860]. Trimmed at foot, affecting a few letters of
title; two minute stitching holes near head. $22
The pantomime clown Matthews stands with bowed legs and hands in his pockets.
MAYOR, A. Hyatt. THE BIBIENA FAMILY. New York: H. Bittner, 1945. Large 4to; blue cloth, sunned and worn at edges; spine ends frayed; plates. $65
1/1000 copies. A study of the careers, milieu, and methods of the eight members of the Bibiena family of stage designers. It includes a chronological list of the work of each and plates with 53 very good reproductions of their designs (with attributions).
MCGEE, T[homas] D[Arcy]. SEBASTIAN; or, The Roman Martyr. A Drama.... New York and Montreal: D. & J. Sadlier, . First Edition. 12mo; original printed blue wrappers, creased, worn, and stained; wrappers nearly worn away at backstrip; stapled; besides a few dog-eared corners, internally very good. $125
A four-act drama founded on Cardinal Wisemans celebrated tale of Fabiola. McGee was a notable Irish nationalist, Catholic spokesman in North America, historian, father of Canadian Confederation, and early champion of Canadian literature. He is also the only Canadian victim of assassination on the federal level. This was his sole drama.
[MEILHAC, Henri.] A pair of lithographed plates, Margot, from Costumes of the Modern Stage, . Each 8 3/4 x 12; colored by hand. $25
The plates are of costumes for a revival of Meilhacs Margot in 1889. They depict Martel as Carline and Bertiny as Valentine.
[MENKEN, Adah Isaacs.] A tall Howard Athenaeum playbill for the benefit and positively last appearance of... Menken, on which occasion she will appear in 4 of her most popular characters, Boston, 1 August, 1862. Approximately 6 1/2 x 19; near fine; matted and glazed in an antiqued frame; not examined out of frame. $400
Menken was seen as Mary in The Outlaws Steed, Mazeppa, and Cornet FitzHerbert and Mrs. Trictrac in The Married Rake. The beautiful, intelligent, trick horse Zofloie, trained by... Menken, will be introduced by her, and go through his wonderful performances for the first time in public. The trick equestrian R. E. J. Miles also performed.
[MENKEN, Adah Isaacs.] A double-page, broadside bill for Astleys featuring Menken in the first performances of Broughams The Child of the Sun, the week of 9 October, . 19 1/2 x 14; trimmed at head and foot, affecting some letters (including upper half of Astleys); minor wrinkling and toning; early reinforcements to verso at folds and edges. $500
Menken played four different roles in Broughams new extravaganza -- the Creole Leon, Zamba a dumb Peon slave, Metoxa the chief of the Comanches, and the Mexican cabollers Don Leon de Mendez. Primarily a vehicle to display Menken to the fullest advantage, it nowhere neared the success of Mazeppa (presented, also at Astleys, the previous year).
[MÉSAUTE, (?).] A lithographed portrait, Mésaute, Rôle de Carlo dans La Fonti. Paris: Godard, [c. 1855]. 8 x 11 1/2, including margins; colored by hand and highlighted in gum Arabic; light tissue-guard adhesion to portions of color. $30
A playbill for LaFarges Metropolitan Theatre, New York, 30 May, 1855. Horizontal creases; some embrowning. $40
A decorative playbill with ornamental engraved border, an engraved decoration (incorporating a Phoenix) at the head, and a variety of typefaces. The bill featured the spectacle Masanielo with the danseuse Senorita Soto as Fenella.
A two-color poster for the production of Vishnevskys Poslediiy Reshitelny at the Meyerhold Theatre, 1931. 35 x 23 3/4; boldly printed in black and green; three small mounting tears to head (the largest 3/4), three closed tears to (blank portion of) lower right edge; one central, horizontal crease; neat vertical creases; some abrading to creases with slight loss at four points. $500
The boldest of the posters typography is consigned to Meyerholds name (32 1/2 x 8). Meyerholds production of Vishnevskys The Last, Decisive was a dazzling display of theatrical tricks (E. Braun) including a production number which parodied the Bolshoi ballet and an effects-laden final scene.
[MINSTRELSY.] MEMORANDUM OF AGREEMENT between Isaac Wilkinson, the Manager and Secretary of the Brighton Aquarium, Brighton, and Mack and Curdy, 1885. 4to; printed text, completed in manuscript, signed. $60
A contract engaging the pair for Negro Burlesque, Grotesques, and acrobatic Songs Dances &ct.
MIRECOURT, Eugène de.
LES CONTEMPORAINS. Déjazet. Rose Chéri. George Sand. Paris: Gustave Havard, 1855. 3 vols. in One. Small 12mo; disbound; engraved frontisportrait with tissue guard to each volume; three folding facsimile plates; minor chipping to upper fore-corner of first signature of first volume. $40
An assemblage of three volumes in Mirecourts series of compact biographies: the author George Sand and the actresses Virginie Déjazet and Rose-Marie Chizos (Rose-Chéri). Each with an engraved portrait and facsimile of an autograph letter.
MOLIERE, J. B. Poquelin. OEUVRES DE J. B. POQUELIN DE MOLIERE. Édition Stéréotype. Paris: Hector Bossange, 1828. 8 vols. 12mo; contemporary calf-backed marbled boards; extremities rather rubbed; minor, scattered foxing; light stains to edges of some leaves; gilt decorations to spines; marbled edges. $100
A pleasant little eight-volume set containing 33 pieces.
[MOLKAU, Johann Carl.] A playbill announcing Molkau and his company at the Theater, Augsburg, 29 February, [1825 (?)]. Decorative woodcut border; nearly fine. $20
A benefit performance for Molkau, including declamatory performances, a musical piece called Pygmalion, and a one-act farce.
[MONICAULT, (?).] LE DEDAIN AFFECTE, Comedie Françoise. Paris: Briasson, 1730. 16mo; disbound; lightest of dusting and foxing. $40
A three-act comedy, first performed at the Theatre Italiens in December 1724, the only play by Monicault (who may have been an actress in the company). The characters include Arlequin, Colombine, and Pantaloon. In the series, Nouveau Theatre Italien.
This three-act Eastern melodrama was first performed at the Theatre de la Porte-St.-Martin with Dugrand and Odry amongst the cast. The music was by Piccini and the ballets by Aumer. §See Solienne 2576.
[MOORE, George Washington.]
A carte-de-visite photograph of Moore. London: for The Figaro, . Near fine. $35
A half-length portrait of the minstrel performer and manager (Moore & Burgess Minstrels).
MORISSET, B. LES CONTES DU PREMIER ET DU SECOND AGE, ou Le Pouvoir
des Bons sur les Mauvais Génies. Paris: Libraires Associés,
1807. 12mo; contemporary blue wraps, rather scuffed; neat reinforcement
to fore-edges of inside wraps and foot of backstrip; engraved frontispiece,
colored by hand; a hint of dusting, primarily to fore-edges; a few fore-corners
turned up; a few upper fore-corners stained; completely untrimmed; in a
protecting box. $175
An unsophisticated, desirable copy of a pleasant juvenile, with a hand-colored frontispiece. Two of the four stories are "Les Mauricauds, ou, L'Origine des Arlequins" and "La Bella Fortuna, ou, Le Palais des Nains."
MORTON, Thomas. COLUMBUS: or, A World Discovered. An Historical Play. The Second Edition. London: for W. Miller, 1792. Disbound; a hint of foxing to half-title and a few leaves of text. $45
MORTON, Thomas. EDUCATION: A Comedy. London: for Longman, Hurst [and others], 1813. First Edition. Disbound; some soiling to title-page and offsetting to text. $22
MORTON, Thomas. SPEED THE PLOUGH: A Comedy. London: for Longman and Rees, 1800. Disbound; title-page dust soiled. $18
MORTON, Thomas. SPEED THE PLOUGH: A Comedy. London: for Longman and Rees, 1800. Disbound; publishers advertisement leaf at the end. $25
The best known of Mortons plays, a successful blending of pathos and broad comedy, famous for introducing the (off-stage) character of the moral watchdog Mrs. Grundy. First published the same year.
[MOSCOW STATE CIRCUS.] An illustrated poster for the Moscow State Circus on tour, [c. 1930]. 21" x 28 1/2"; boldly printed in red; two halftone illustrations; creased to quarters; minor wrinkling; one short line of small ink stains; else very good. $250
MOUTTET, Félix (Editor). LE LIVRE DES JEUX DESPRIT. Énigmes, Charades, Logogriphes, Recueillis et Mis en Ordre. Paris: Ch. Ploche, n. d. . 12mo; modern polished half-calf and marbled boards; gilt to spine; marbled endpapers; moderate foxing; mild stain to upper fore-corner of some leaves. $95
A 64-page collection containing 50 charades, 52 logogriphes, and 75 enigmas. In a modern fine binding by Ivicta Livro.
MOWATT, Anna Cora. ARMAND; or, The Peer and the Peasant. A Play.... New York: Stringer and Townsend, 1851. First Edition. Disbound; some foxing; primarily to first signature and margins. $40
Mowatts second play and the first to be publicly performed. It was premiered at New Yorks Park Theatre in September 1847 and in London in January 1849. On both occasions Mowatt took the part of Blanche. §Roden, p. 96.
[MOZART, Wolfgang A.] A chromolithographed plate, Die Zauberflöte. Berlin: [A. Fürstner, c. 1880]. 11 1/2 x 8 1/2; colors bright. $150
A series of six unsophisticated vignette illustrations of featured scenes in Mozarts opera. Rather humorous in nature (including a moon dangling on a chain), each vignette is accompanied by an abridgment of dialogue (in German).
[M-ROV, G. T. (Pseud.).] [OUT OF THE FIRE AND INTO THE FLOOD (?). Drama....] [Tomsk: P. I. Makushina], 1896. 8vo; original paper-covered boards; marbled paper to rear cover; extremities rubbed; front cover a trifle soiled; erased letter-code to upper left edge of cover; black cloth spine; Library of Congress duplicate stamp to front flyleaf; binding tight; contents clean. $50
A five-act drama. M-rov was the pseudonym of Gamaliil S. Gantimurov.
[MUNDEN, Joseph S.] A stipple-engraved portrait of Munden. [London]: Bellamy and Robarts, 1791. 4 x 6 1/4, plus narrow margins; in modern window mount; very good. $15
[MURDOCH, James E.] A photogravure portrait, "James E. Murdoch
as the Stranger [Count Waldbourg]." [New York]: Gebbie, [c. 1887].
8 1/2" x 11 1/2", plus wide margins; very minor spotting to margins.
A full-length portrait of Murdoch, seated, in costume.
MURPHY, [Arthur]. THE WAY TO KEEP HIM, A Comedy. The Fourth Edition. London: for P. Vaillant, 1761. Disbound. $25
NEWTON, H. Chance. THE OLD VIC. And Its Associations. Being My Extraordinary Experiences of Queen Wictorias Own Theayter. Foreword by George Dance. London: Fleetway Press, n. d. [c. 1922]. Small 8vo; green wraps, edges dust soiled; pictorial vignette to front cover; frontisportrait; plates. $20
[NICOLE, Phillipe and Rose.] A small promotional card for the Nicoles Palais des Nains, Montreal, [c. 1924]. 4 x 2 1/2; halftone vignette portrait to one side. $30
NICOLL, Allardyce. STUART MASQUES AND THE RENAISSANCE STAGE. New York: Harcourt, 1938. 4to; black cloth, lettered in gilt; decorative dustwrapper; frontispiece; numerous illustrations to text; United Scenic Artists union stamp to front flyleaf. $30
An extensive study of masques and ballets produced at the courts of James I and Charles I. This is accompanied by 197 illustrations, a complete photographic record of the Inigo Jones designs preserved at Chatsworth, and drawings of contemporary Turin ballets.
A well-documented history of the commedia figure tracing him from his Italian roots through to modern representations. There is a particularly interesting account of the shows given in the fairgrounds and... a description of Grimaldis technique (R. Toole-Stott). With an appendix of Some Celebrated Players of Harlequin and one of early scenari. §Toole-Stott 523.
[NIXON, John (?).] An engraved caricature, "Country Acting
-- or no Tricks upon Travellers." London: Laurie & Whittle, 1804.
9 3/4" x 7 3/4", plus full margins; slight dust soiling to outermost
margins; hand colored; very good. $175
"Tricks upon travellers" was a catch-phrase, perhaps deriving from Foote's The Orators (1762). This hand-colored caricature, attributed to Nixon, depicts a kitchen scene. An Irishman, wearing smart (spurred) top boots, bastes a bird on a spit. He is interrupted by an actor in the costume of an African prince who inquires as to when the fowl will be finished. The Irishman responds angrily to the "outrageous looking Rascal" that the chicken is for his dinner and he does not mean to share it. The actor responds: "My Dear Sir I dont want your Fowl I am going to play Oroonoko in this House and we cannot begin for want of the Jack Chain." §George 10357.